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In the Dodal and Payen, and well as the Noblet, the naked woman is flesh-colored, except for her face, which is strikingly white, like the Popess’s. In 1709, Madenié made her face flesh-colored like the rest of her body, and so it is in every historical TdM type-II, as well as Jodorowsky’s deck, contributing to the distinct impression that in his recreation of an authentic Tarot de Marseille, he and Phillipe Camoin cherry-picked (or outright contrived) details to further the narrative they had decided upon. So are the seventeen lines displayed in the Popess’s book a discovery of another harmonic resonance in the Major Suit or artifice introduced, consciously or otherwise, into Jodorowsky’s commentary? It is always a slippery slope, and even if we can find no antecedent, that does not in itself invalidate the image. Authentic symbols cannot result from focused, linear, rational thought. “They,” as Joseph Campbell writes, “are not manufactured; they cannot be ordered, invented, or permanently suppressed. They are spontaneous productions guest post casino of the psyche, and each bears within it, undamaged, the germ power of its source.” When people try to devise symbols, they end up with signs, which stand for something completely known, and of course they are known, for they come from that part of us that quantifies and qualifies, labels and categorizes. Jodorowsky makes an intriguing case for the connection between the Popess and the star woman, but he does not follow through. Further, he does not cite any historical precedent, and when we look at other cards, we see in the Noblet, the book has six lines, linking La Papesse to Le Chariot . Take me church çeviri.
“…Possibly,” the strange man replied evasively. “But not definitively, for purely legalistic reasons.” “I believe Mathom-meister was quite clear when he said that your rather pitiful chicanery wasn’t welcomed here,” Emrys reminded him. “And who is he to judge chicanery from cutthroat, capitalistic competition? Should not the Flea Market be a free market?” the charlatan demanded. “And while we’re on the topic of commerce, I don’t suppose you have enough three-headed coins to pay for all the poor souls you have so discourteously exposed to my exhibit against their will? I’d hate to have to start shaking people down to get my due.” “Hard to believe your own circus threw you out,” Emrys said with a sardonic eye roll as he tossed him a small medallion. “You get one coin. Take it and get out of my sight.” The charlatan flipped the coin in the air thrice, presumably to confirm it actually had three heads. Satisfied with its impossible dimensions, he shoved it into his pocket.
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